Podcast | Culture and the Creative Economy

Episode 1: Riding the Korean Wave

Beyond the scenes

Few sectors have been worse affected by the pandemic than theatre—the intimacy of live performance rendered impossible by social distancing and lockdowns, and audiences slow to return as new variants emerge. From February to June 2020 alone, the European Theatre Convention estimated 5,000 performances were cancelled across their member theatres in 26 countries, equating to over 1 million audience members and €61m of lost income. The sector has always navigated tight margins, given the economics of live performance, but these were worsened exponentially by the pandemic. Freelancers and small companies especially have struggled financially.

How PWC innovates through acquisitions

James Fillingham, head of transaction services, on the role that acquisition plays in the global advisory firm's innovation strategy: 

“We take what they [acquired employees] are good at, we put them in a place with people who think in a like-minded way, and then we put in place a framework to help us industrialise and commercialise that more effectively.”

Purely digital

Ancient Buddhist artwork gets a 21st-century makeover

A New Age Of Culture: The Digitisation of Arts and Heritage

For many years, the cultural sector remained one of the very few to be only lightly touched by the disruption that Internet- and mobile-driven changes were bringing to other industries and segments of society. That is no longer the case. Cultural institutions in much of the world are now busy deploying digital technologies and quickly trying to make up for lost time.

Based on data collected from 243 arts and heritage institutions, The Economist Intelligence Unit (EIU) assesses the progress of cultural digitisation in 22 countries. 

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