Technology & Innovation

Reciprocity in digital rights

May 31, 2013

Global

May 31, 2013

Global

The ease of sharing information on the internet challenges 20th century law such as the 2011 Anti-Counterfeiting Trade Agreement signed by more than 32 countries including the US.

Many internet users across the world defy these regulations with the sharing and exploitation of unpaid content. They oppose product developers, artists and publishing houses interested in controlling the distribution of content through legal or technical mechanisms. To enforce a balance between regulation and use, Digital Rights Management (DRM) attempts to make digital copying illegal, technically impossible, or to track usage so that it can be charged. However limits to the distribution of content are inimical to a widespread culture of sharing and creating through collaboration and DRM may prevent open-source online product development.

 Business, government, innovators and users must negotiate. Legislative measures to control online behaviour have consistently failed, with backlash against the Digital Millennium Copyright Act (DMCA) of 1998 preceeding the failure of the Stop Online Piracy Act (SOPA) in the US in 2012 with various websites staging a protest blackout.This rejection has also prompted an unexpected compromise. Electronic Arts, a publisher, bowed to pressure from its consumers who complained about DRM software on its 'Spore' videogame, lifting from three to five the number of machines on which each license would be valid. In a 2007 open letter called “Thoughts on Music”, Apple's Steve Jobs called for music companies to remove DRM from music sold on iTunes. The European Commission is urging companies to modernise their licensing approaches, or face new regulation.

In the Digital Rights Movement, associate professor Hector Postigo outlines the ways in which opposition to digital copyright protection has transformed from an assertion of consumer rights to a social movement concerned with cultural development. Open-source product development forms the basis of hardware (Ardunio) and software (Mozilla Project) innovation. As Domus (a design magazine) editor-in-chief Jospeh Grima argues, peer-to-peer networks have transformed creativity and are here to stay, affecting the methods and the aesthetics of production.  

Regulation must not inhibit the collaboration and sharing that are fundamental to innovation but aim for a balance between the legal protection of copyright, the rights of digital producers to profit, and the desire of users to have access to content as well as the freedom to share, adapt, change and develop it. But they too must respect the reciprocity of users and consumers’ digital rights.

In a recent TED talk, musician Amanda Palmer argues that producers should leverage the internet to allow audiences to support their work by sharing content. She calls this ‘the act of asking’, a form of fundraising that establishes connections with people so that they are more willing to help you. She uses Twitter to find local resources when on tour, crowdsourcing to fund raise and couch surfing for accommodation. Instead of charging for music online she shares it for free and uses online tool Kickstarter to fund raise. One project raised over US$1.2 m from 25,000 donors, the biggest music crowdsourcing project yet. The complexity of technical and legislative control and the success of crowdsourcing projects suggest that the contents and value of the internet are not made by one for another, but by everyone involved with it. 

Ryan Heath also contributed to this blog.

The views and opinions expressed in this article are those of the authors and do not necessarily reflect the views of The Economist Intelligence Unit Limited (EIU) or any other member of The Economist Group. The Economist Group (including the EIU) cannot accept any responsibility or liability for reliance by any person on this article or any of the information, opinions or conclusions set out in the article.

Enjoy in-depth insights and expert analysis - subscribe to our Perspectives newsletter, delivered every week